Ive been shooting on Lumix gear since the GH4 days so Im pretty familiar with the ecosystem but Ive run into a bit of a wall lately with my new S5IIX. Im prepping for a pretty high-stakes wedding shoot up in Seattle next month and for some reason the audio just isnt sitting right with me. Usually I just throw on my old Rode VideoMic Pro and call it a day but Im noticing way more hiss than I used to. I dont know if the preamps in the newer bodies are just more sensitive or if my old reliable mic is finally kicking the bucket but either way I need an upgrade pronto.
My logic was that I should probably just bite the bullet and get the DMW-XLR1 adapter so I can run real mics but then I start looking at the weight and the cost and I get stuck. Is the internal processing on these Panasonic bodies actually better through the hot shoe vs the 3.5mm jack? I was thinking about grabbing a Sennheiser MKE 600 or maybe the NTG5 to go with the adapter but then Im looking at like a $700 setup which is pushing my budget a bit. I really want to keep it under $500 or $600 max if I can.
Ive also been seeing people talk about the Deity S-Mic 2S for run-and-gun stuff since its so short and easy to balance on a gimbal. My concern is mostly the noise floor. Like, if I stay with a 3.5mm mic like the VideoMic NTG, am I still gonna be fighting that electronic hum or is that just a limitation of the Panasonic boards? I really need that crisp clean dialogue for the vows and Im terrified of getting home and hearing that faint buzz under everything. What are you guys actually using for high-end work on these bodies? Are the top-rated options really that much better than just using a decent external recorder and syncing in post? Id prefer to keep it all in-camera if I can help it to save time on the edit...
Just caught this thread and I gotta jump in because I was literally in the same boat last season! Weddings are so stressful for audio... honestly the hiss on those 3.5mm jacks used to keep me up at night lol. I found a killer combo that fits your budget and sounds way better than the old setup.
Honestly, the Panasonic DMW-XLR1 XLR Microphone Adapter is basically a necessity if you want to avoid that hiss. I've been using it for a while now and I'm totally satisfied with the results... the preamps in the adapter are way cleaner than the 3.5mm input. Pair that with the Sennheiser+MKE+600+Shotgun+Microphone&linkCode=osi&tag=7649-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 600 Shotgun Microphone and you're set for the Seattle wedding. This combo is super reliable and i havent had any complaints about noise since i made the switch. Quick tip: since youre worried about the buzz, the XLR connection locks in tight so you dont get those random pops if the cable moves. It fits right into your budget and honestly gives way more peace of mind for high-pressure shoots. Just make sure to toggle the phantom power correctly and you'll be happy with how clean the dialogue sounds.
Honestly you can totally get pro results for way less cash! I've had amazing success with the Rode VideoMic NTG Shotgun Microphone because that built-in preamp is so clean. It lets you bypass those noisy camera circuits if you dial it in right.
Seconded!
Building on the earlier suggestion, I'd be really careful about relying on the 3.5mm jack for something as high-stakes as a wedding. Before you spend any money tho, are you hearing that hiss specifically when the camera is on a gimbal or is it there even when it's static on a tripod? I'm asking because the S5IIX can sometimes pick up internal electronic interference if the cable isn't shielded perfectly. If you want to play it safe, I would suggest these alternatives to keep your audio clean:
Great info, saved!
Building on the earlier suggestion, the general consensus here is that you either need the XLR adapter for better preamps or a high-output 3.5mm mic to keep the S5IIX gain as low as possible. I have been very satisfied with a couple of alternative setups that fit your budget and work well for live events.
Ugh, I feel your pain so much! That specific electronic hiss on the S5IIX has been driving me absolutely insane lately! @Reply #3 - good point! even when you try to gain stage perfectly, it feels like you're fighting the physics of the board itself. I love the technical specs of these cameras but the noise floor on that 3.5mm jack is just such a massive headache when you're doing high-stakes work. It's honestly heart-breaking to record a perfect vow and then find that faint buzz in the waveform... I've spent so many late nights trying to DIY different shielding and checking interference patterns and it's just exhausting! Honestly, if you want to stop the madness, just go with anything from Sony for audio! They're the gold standard for a reason and you really can't go wrong. Or just grab any of the portable recorders from Zoom and mount them yourself. You'll feel so much better once you stop fighting those internal preamps! You're gonna kill it at that Seattle wedding though, dont let the tech get you down!
Bookmarked, thanks!