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Top-rated microphones for capturing high-quality audio on Panasonic cameras?

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Ive been shooting on Lumix gear since the GH4 days so Im pretty familiar with the ecosystem but Ive run into a bit of a wall lately with my new S5IIX. Im prepping for a pretty high-stakes wedding shoot up in Seattle next month and for some reason the audio just isnt sitting right with me. Usually I just throw on my old Rode VideoMic Pro and call it a day but Im noticing way more hiss than I used to. I dont know if the preamps in the newer bodies are just more sensitive or if my old reliable mic is finally kicking the bucket but either way I need an upgrade pronto.

My logic was that I should probably just bite the bullet and get the DMW-XLR1 adapter so I can run real mics but then I start looking at the weight and the cost and I get stuck. Is the internal processing on these Panasonic bodies actually better through the hot shoe vs the 3.5mm jack? I was thinking about grabbing a Sennheiser MKE 600 or maybe the NTG5 to go with the adapter but then Im looking at like a $700 setup which is pushing my budget a bit. I really want to keep it under $500 or $600 max if I can.

Ive also been seeing people talk about the Deity S-Mic 2S for run-and-gun stuff since its so short and easy to balance on a gimbal. My concern is mostly the noise floor. Like, if I stay with a 3.5mm mic like the VideoMic NTG, am I still gonna be fighting that electronic hum or is that just a limitation of the Panasonic boards? I really need that crisp clean dialogue for the vows and Im terrified of getting home and hearing that faint buzz under everything. What are you guys actually using for high-end work on these bodies? Are the top-rated options really that much better than just using a decent external recorder and syncing in post? Id prefer to keep it all in-camera if I can help it to save time on the edit...

8 Answers
12

Just caught this thread and I gotta jump in because I was literally in the same boat last season! Weddings are so stressful for audio... honestly the hiss on those 3.5mm jacks used to keep me up at night lol. I found a killer combo that fits your budget and sounds way better than the old setup.

  • Sennheiser+MKE+400+Compact+Shotgun+Microphone&linkCode=osi&tag=7649-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 400 Compact Shotgun Microphone is fantastic because it has a 3-step sensitivity switch. You can boost it on the mic and turn your camera gain way down to kill that floor noise.
  • Tascam DR-10L Pro Portable 32-bit Float Recorder is my secret weapon for the actual vows. Just hide it on the groom and forget about it. The MKE 400 is only like $200 and it handles the S5IIX preamps way better than the old VideoMic Pro ever did. You wont even need that bulky XLR adapter if you go this route, and the total cost is well under your $600 cap. Trust me, the 32-bit float on the Tascam is a total game changer for high-stakes ceremonies!

11

Honestly, the Panasonic DMW-XLR1 XLR Microphone Adapter is basically a necessity if you want to avoid that hiss. I've been using it for a while now and I'm totally satisfied with the results... the preamps in the adapter are way cleaner than the 3.5mm input. Pair that with the Sennheiser+MKE+600+Shotgun+Microphone&linkCode=osi&tag=7649-20" target="_blank" rel="nofollow sponsored">Sennheiser MKE 600 Shotgun Microphone and you're set for the Seattle wedding. This combo is super reliable and i havent had any complaints about noise since i made the switch. Quick tip: since youre worried about the buzz, the XLR connection locks in tight so you dont get those random pops if the cable moves. It fits right into your budget and honestly gives way more peace of mind for high-pressure shoots. Just make sure to toggle the phantom power correctly and you'll be happy with how clean the dialogue sounds.




4

Honestly you can totally get pro results for way less cash! I've had amazing success with the Rode VideoMic NTG Shotgun Microphone because that built-in preamp is so clean. It lets you bypass those noisy camera circuits if you dial it in right.

  • Set camera gain to -12dB or -18dB
  • Use the mic's physical dial for levels
  • Consider the Deity V-Mic D3 Pro Shotgun Microphone as a cheaper alternative Its a fantastic way to stay under budget without sacrificing that crisp dialogue... love it for weddings!

3

Seconded!

2

Building on the earlier suggestion, I'd be really careful about relying on the 3.5mm jack for something as high-stakes as a wedding. Before you spend any money tho, are you hearing that hiss specifically when the camera is on a gimbal or is it there even when it's static on a tripod? I'm asking because the S5IIX can sometimes pick up internal electronic interference if the cable isn't shielded perfectly. If you want to play it safe, I would suggest these alternatives to keep your audio clean:

  • Shure VP83F LensHopper Shotgun Microphone is probably your best bet for safety because it records to its own internal microSD card. Even if the camera preamps act up, you have a clean backup file that isn't touched by the Panasonic's internal processing.
  • You might want to consider the Tascam CA-XLR2d-F XLR Microphone Adapter for Panasonic instead of the official DMW-XLR1. It uses a high-def discrete architecture that honestly rivals some of the pro field recorders.
  • If you really want to stick to the 3.5mm input but want a higher signal-to-noise ratio, look at the Azden SMX-30V Stereo/Mono Shotgun Microphone. It has a +20dB gain boost that helps you keep the camera's internal gain at almost zero. Just be careful with the weight distribution if you go the XLR route. Those adapters sit high on the hot shoe and can make balancing a gimbal a total nightmare during a fast-paced wedding.




2

Great info, saved!

1

Building on the earlier suggestion, the general consensus here is that you either need the XLR adapter for better preamps or a high-output 3.5mm mic to keep the S5IIX gain as low as possible. I have been very satisfied with a couple of alternative setups that fit your budget and work well for live events.

  • Deity S-Mic 2S Shotgun Microphone: I use this constantly for run-and-gun stuff. Its small enough that it wont interfere with a gimbal, and the moisture resistance is a huge plus for a Seattle wedding. The noise floor is very quiet compared to the older Rode models.
  • Audio-Technica+AT875R+Line+%2B+Gradient+Condenser+Microphone&linkCode=osi&tag=7649-20" target="_blank" rel="nofollow sponsored">Audio-Technica AT875R Line + Gradient Condenser Microphone: If you decide to get the Panasonic DMW-XLR1 XLR Microphone Adapter, this mic is a fantastic value. It is incredibly lightweight and provides very clean dialogue without the bulk of a full-sized shotgun. Honestly, I prefer the XLR route for reliability. Having a locking connection means you dont have to stress about the 3.5mm jack wiggling loose while you are moving around. It makes for a much more methodical and stress-free shoot.

1

Ugh, I feel your pain so much! That specific electronic hiss on the S5IIX has been driving me absolutely insane lately! @Reply #3 - good point! even when you try to gain stage perfectly, it feels like you're fighting the physics of the board itself. I love the technical specs of these cameras but the noise floor on that 3.5mm jack is just such a massive headache when you're doing high-stakes work. It's honestly heart-breaking to record a perfect vow and then find that faint buzz in the waveform... I've spent so many late nights trying to DIY different shielding and checking interference patterns and it's just exhausting! Honestly, if you want to stop the madness, just go with anything from Sony for audio! They're the gold standard for a reason and you really can't go wrong. Or just grab any of the portable recorders from Zoom and mount them yourself. You'll feel so much better once you stop fighting those internal preamps! You're gonna kill it at that Seattle wedding though, dont let the tech get you down!




1

Bookmarked, thanks!




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